There’s a lot to love about Dazy’s cinematic imagery, which yoyo between dynamism and melancholy, action and stillness. Lovely film grain, monochromatic hues, thoughtful compositions. Streaks of light, neon signs, delicious bokeh.
Each photograph tells a personal, intimate story. Often solitary characters have upon them impressed neon signs, traffic, bars and cafés, the shadows of other people. Through his careful angling, focus, lighting and composition, Louis turns nocturnal urban events into moments of tender melancholy, sometimes even magic.
